Over at Eschaton, the dependably snarky Duncan Black is being, well, snarky again. That’s not a slam, by the way. In Blogworld there’s no higher accolade than being called snarky. In case you haven’t noticed, we’re kind of a sick bunch.
Anyway, Duncan is sick and tired of having age-impaired types like me discuss contemporary issues by using analogies to the 60s. Here’s his opening salvo:
I really don’t understand that generation. I cannot imagine that 40 years from now I’ll view every single political issue through the lens of some brief period in my youth. I don’t even do that now.
(He follows up here.)
Having been born in 1955, I was too young to actually go to Woodstock or engage in antiwar protests: I experienced the upheavals of the 60s more by osmosis. Still, of all the decades I’ve lived through so far, when viewed from the standpoint of politics and popular culture, none of the others can hold a candle to the 60s.
So why do those of us who lived through the 60s insist on using 60s examples so often in discussing current events? Maybe because all of the decades you young whippersnappers have managed to produce since have been intolerably dull by comparison.
Look at it this way: Given the choice of a universe of analogies to describe Juliet, which one did Shakespeare’s Romeo choose?
But soft, what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief
That thou, her maid, art far more fair than she.
So why did Shakespeare choose the sun as an analogy, when he could have used something more modern, say, the electric light bulb (yeah, I know it hadn’t been invented yet, but go with me on this)?
Because saying “and Juliet is a light bulb” just wouldn’t have had the same sparkle, would it?
So here’s the deal, Duncan, if you don’t like 60s types using Woodstock as a cultural reference, just exactly what modern day alternative are you offering? Britney Spears on the MTV Video Music Awards?
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